What began as an investigation into the uppermost image led to a search for further details about the creator of that image, F. Grice. The Grice and Conant families shared a cause: the abolition of slavery. Francis Henry Grice was a polymath whose path seemed to often cross that of the Mormons in Missouri, Illinois, and Utah. Image 1368 in the Grice Collection at the U.S. Library of Congress might depict one such intersection. The narrative here presented cannot pass for historiography. Still, few other forms of primary sources possess the fidelity of a daguerreotype, for such an original image is a true one of a kind. The right image above is likely a painting based upon the left daguerreotype taken by Francis Grice in Lucian Foster’s studio in mid-June 1844. “Proof” of the painting’s subject is provided by the fact that the man’s awkwardly depicted right hand is actually his wife’s left hand that was copied and “transplanted” from the same daguerreotype. The ring can be seen today:
If a picture is worth a thousand words, what Grice and Conant stories are yet to be told?